Feminism in Heart of Darkness
“She talked about ‘weaning those ignorant millions from their horrid ways,’ till, upon my word, she made me quite uncomfortable. I ventured to hint that the company was run for profit. “
‘You forget, dear Charlie, that the laborer is worthy of his hire,’ she said, brightly. It’s queer how out of touch with truth women are. They live in a world of their own, and there has never been anything like it, and never can be. It is too beautiful altogether, and if they were to set it up it would go to pieces before the first sunset. Some confounded fact we men have been living contentedly with ever since the day of creation would start up and knock the whole thing over.
The Congolese woman that rails against Kurtz's departure is a complete contrast to Kurtz's Intended is innocent and naive, the native mistress is bold and powerful. Kurtz is a man of many lusts, and she embodies this part of his personality. She frightens the Harlequin because she finds him to be meddling with Kurtz too much; her threats to him eventually scare him into leaving the Inner Station.
Women Both Kurtz’s Intended and his African mistress function as blank slates upon which the values and the wealth of their respective societies can be displayed. Marlow frequently claims that women are the keepers of naive illusions; although this sounds condemnatory, such a role is in fact crucial, as these naive illusions are at the root of the social fictions that justify economic enterprise and colonial expansion. In return, the women are the beneficiaries of much of the resulting wealth, and they become objects upon which men can display their own success and status. -Sparknotes
“Then
I noticed a small sketch in oils, on a panel, representing a woman, draped and
blindfolded, carrying a lighted torch. The background was somber- almost black.
The movement of the woman was stately, and the effect of the torchlight on the
face was sinister”.
Kurtz’s fiancée is marked—like the Harlequin—by her absolute devotion to Kurtz. When Marlow visits her after his return from Africa, he finds that she has been dressed in mourning for more than a year and still yearns for information about how her love spent his last days. However, she is actually devoted to an image of Kurtz instead of the man himself: She praises Kurtz’s “words” and “example,” assuming that these are filled with the nobility of purpose with which Kurtz began his career with the Company. Her devotion is so absolute that Marlow cannot bear to tell her Kurtz’s real last words (“The horror! The horror!”) and must instead tell her a lie that strengthens her already false impression of Kurtz. On a symbolic level, the Intended is like many Europeans, who wish to believe in the greatness of men like Kurtz without considering the more “dark” and hidden parts of their characters. Like European missionaries, for example, who sometimes hurt the very people they were professing to save, the Intended is a misguided soul whose belief in Marlow’s lie reveals her need to cling to a fantasy-version of the what the Europeans (i.e., the Company) are doing in Africa.
-Cliff Notes
MM