Eric Englert

Hypertext Project

            (An excerpt from page 22 of "The Short Happy Life of Francis Macomber")

            All in all they were known as a comparatively happily married couple, one of those whose disruption is often rumored but never occurs, and as the society columnist put it, they were adding more than a spice of adventure to their much envied and ever-enduring Romance by a Safari in what was known as Darkest Africa until the Martin Johnsons lighted it on so many silver screens where they were pursuing Old Simba the lion, the buffalo, Tembo the elephant and as well collecting specimens for the Museum of Natural History.  This same columnist had reported them on the verge at least three times in the past and they had been.  But they always made it up.  They had a sound basis of union.  Margot was too beautiful for Macomber to divorce her and Macomber had too much money for Margot ever to leave him. 

 

Ya right! Maybe if soap opera standards are applied.  Return to passage. 

 

The reader might be wondering why all these words are in italics.  Sorry, I can’t help ya there!   Return to passage

 

The critic James Gray Watson from the University of Tulsa wrote an interesting article about this very phrase entitled "A Sound Basis of Union"  Structural and Thematic Balance In "The Short Happy Life of Francis Macomber".  The article suggests that because this excerpt lies structurally at the center of the novel, it is of primary importance.  And it leaves a "wake" that balances or influences the reader’s opinions throughout the remainder of the book.  Return to passage

 

This story was the subject of my paper, and I wrote the following introduction about it. . .

          Will American men and women ever become members of a society that prides itself on its unwavering moral center?  Will American men and women ever be able to open their eyes to a world unhampered with the cloud of relativism?  Any notion of this time and its future manifestation is being challenged by ideologues, liberals and their moral ineptitude; in short, we, the mainstream conservatives, are being challenged.  Middle class, small town America is losing its ethos, its character, its purity.  And in its place resides the superficial form of morality known as relativism.  Times are certainly changing.  But, thankfully, some people of letters have validated the necessity of our own conservative counter-revolution---our own adherence to, our own paradoxically counter-cultural acceptance of what Russel Kirk calls "the permanent things."  Writers, these men of letters, who have throughout history served as the mouthpiece for society, can be called upon to elucidate the extent of our present moral dilemma.  A proper evaluation and comparison of Hemingway’s "The Short Happy Life of Francis Macomber" reveals the all too pervasive and disturbing trend of post-structuralist, relativistic morality, and points the reader closer and closer to the absolutely undeniable validity of his conservative and moral worldview. 

As far as discursive commentary goes. . .

This passage lies at the center of the novel and is very important in terms of shaping reader opinions about the main characters and the "moral center" or lack thereof.  This passage suggests to me that Hemingway’s morality is relativistic.  "They were a comparatively happily married couple."  WHAT? They had a "sound basis of union." WHAT?  These comments are not meant to be sarcastic.  They are Hemingwayesque statements of fact, pure and simple.  This is the way it is.  But these statements express the post-structuralist worldview.   Return to passage